Moog Source Magic

video upload by Bata

"Patch on a Moog Source with assistance from Synthesizers.com 106 Oscillator. Patch makes use of a couple strange bugs my Source has. Glide makes the pitch drop very low at a certain amount and lfo rate is effected by the buttons when it's at higher rates."

Sequential Circuits Split-Eight SN 02917 w/ Custom White Side Panels

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Relatively uncommon but a fantastic sounding analogue synth capable of some extremely rich sounds when compared to modern digital offerings.

This unit is completely restored and fully operational.

This unit has seen the following service:

Completely refurbished keybed
All button contacts (Keybed and front panel buttons) have been refurbished
ALL electrolytic caps replaced including those on the audio board.
New memory battery installed
New voltage regulators installed
New led matrix chips installed
Full factory sysex installation with original factory sounds restored.
Fully tested and working great!
The Split-8 makes for a very nice programmable polyphonic analog synthesizer with complete MIDI implementation. With 8 voices and 8 oscillators (Curtis 3394 SENTE chips) the Split-8 is a heavy contender against the Roland Juno-106.

The keyboard features splits and layers, all of which can be saved with patch data. Choose between 8 voice polyphony with 1 oscillator per voice, 4 voice polyphony with dual oscillators per voice, 2 voice polyphony with a mega 4 oscillators per voice, or the unison mode which is just a fat 8-voice solo mode for trance bass and lead heaven! Similar to the Juno-106, the Split-8 uses a Chorus effect to liven up the sounds.

Split-8 features:

One voltage-controlled oscillator (VCO) for each of the eight voices. Switches are used to set any combination of triangular, sawtooth and square wave. Pulse width modulation (PWM) is available.
For each voice, the coarse tuning is available within four octaves as well as the fine tuning.
Programmable "poly mod" allows the audio output of one voice to feed another's VCF. In this case, the polyphony is reduced to four voices.
The voltage-controlled low-pass filter (LP VCF) has a four-stage structure with a slope of 24 dB per octave. Cutoff, resonance and modulation depth adjustments are available. A keyboard tracking mode is also provided (higher notes have a higher cutoff frequency).
The low-frequency oscillator (LFO) produces a triangular or rectangular waveform in the range from 0.25 to 20 Hz. It can be used to modulate the cutoff frequency of VCF, the pitch of the VCO and the pulse-width modulation.
ADSR envelope generators for VCF and VCA.
Keyboard "split" and "layer" functions are available.
Programmable chorus effect.
Full MIDI support, including downloading presets via the sysex protocol."

CLICK FOR MORE »

Tela – Modal Synthesizer

video upload by Fors

Tela – Walkthrough

video upload by Fors

https://fors.fm/tela

"Tela orchestrates a vast array of resonant peaks, intertwined to form a critical mass of sound. It models nothing – it's a synthesizer for the here and now, to discover and create anew.

In a careful balance of depth and immediacy, Tela explores the inherent character and capabilities of modal synthesis. Like a practical joke, Tela bends a myriad of partials into perfect symmetrical waveforms only for them to dissolve into otherworldly timbres and textures mere seconds later. There are no rules.

Modal synthesis
Imagine hitting a thin piece of metal, a piece of glass or the membrane of a drum– the material vibrates and rings out with its inherent timbre, affected by the motion of the impact and the strength of the hit. This is the basis of what modal synthesis recreates.

CLICK FOR MORE »

Roland Juno 106

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

"First part I demo a few presets and most of the controls.
On the second part I enter test mode and let you listen to the 6 voices filter calibration.
This is a good test to check if your Juno 106 needs calibration. Most of the calibration procedure is dedicated to the filter setting, since oscillators are DCO they won't drift, but the filters can. By entering test mode and selecting bank 3 you basically recall a patch that has filter in self oscillation with keyboard tracking, thus you can easily hear if any of the 6 voices is off. Just play notes in the high and low notes and listen to the pitch (and amplitude). The 6 voices should sound the same, like on this unit. If one or more is way off it's time for calibration."

via this listing

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PATCH / ROUTE 4 / arps & melodies / sounddesign exploration

video upload by Joranalogue Audio Design

"The 1V normalized routing inputs on ROUTE 4 make a lot of sense when you start using ROUTE 4 to change up an existing sequence, by either precision mixing the 1V/oct pitch cv with ROUTE 4s output or by using an additional V/oct input on your vcos (luckily GENERATE 3 Exp. FM inputs are nearly perfectly calibrated to accept V/oct signals). Using ORBIT 3 as a master control for all the switching on ROUTE 4 makes for a chaotic but controlled course of pitches."

TMP-2-06 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:31 Introduction
01:20 Little Black Boxes
04:37 Switched On Cybersynths
17:46 Synthesiser Club
21:23 Commercial Break
23:05 Patching Today
37:53 Video Lab
40:26 Outro

"Episode six of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio, and the final episode of the season

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

////////////////////////////////////////////////////////

In THIS episode:

LITTLE BLACK BOXES - The Kawai k1m was a small desktop version of the K1 layer synth, introduced in 1988. Today I sequence it from an Atari ST running C-Lab Notator

SWITCHED ON CYBERSYNTHS - Patching it all together: after a brief section on quantising both pitch and time, I attempt to patch together all of the Memetune modulars (12 vintage systems!) in a giant Cybersynthesis monster patch

SYNTHESISER CLUB - Today, its more Yamahas, including a QX1 sequencer, RX5 drum machine, TQ5 FM synth module, REX50 multi FX, SY85 layer synth and a MT1X 4-multi-track cassette recorder

COMMERCIAL BREAK - Some adverts for Memetune related goodies, including the new Memetune Annual 2024 (sort of😁)

PATCHING TODAY - Taking the wonky Roland System 100 for a ride

VIDEO LAB - In this episode we take the meme-mobile for a spin!


////////////////////////////////////////////////////////

LINKS:

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com"

Behringer Edge Modular Patches/Patterns/Samples No Talk Demo

video upload by Anton Anru

"Behringer Edge «Modular Grooves» is a collection of 50 patches + patterns: 17 Percs/Drums, 16 Basses, 17 Synths. It is dedicated to the modular vibe, loved for its analog warm sound, experimental attitude, rich opportunities, unique features and tones, and inspirational workflow.

💎 The presets feature various colors: warm, noisy, detuned, distorted, as well as mild, clean, soft, punchy, dark, bright, deep, and airy.
Some timbres are great to play the first role in tracks or jams, while others will work perfectly as additional parts.
You may use the patches as they are, but I strongly recommend tweaking the knobs to develop the timbre during your performance and get an exciting experience.

📥 Get the soundset: https://antonanru.sellfy.store/p/edge...

💽 The soundset also includes 24/41000 WAV samples, accompanied by BPM and scale information. You can use them as they are, or you're free to resample, edit, and apply effects. These samples offer a versatile material for your experimentation.

📚 The soundset is presented in PDF format. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

🎧 There are audio examples of all patches inside the folder with the soundset.
To recreate these patches, you need up to 3 patch cords.

Tuning is an important part of the final result, but it’s quite difficult to depict the settings of oscillators frequencies and sequencer knobs as they are quite small, and even a tiny movement may shift the pitch. I tried to be as accurate as possible to draw these settings (the way they play in the audio examples), but don’t be upset if you can’t recreate the same melody. You may spend some time to catch the same melody, or you may use the settings as a starting point for your own melodic or percussive lines.

I used an external USB clock from Ableton Live. When external clock is used, TEMPO knob has no effect, so I left its value on some default position. Only tempo division (SCALE) changes the playback. If you use EDGE as a master clock device, change TEMPO to your taste.

🔔 The video contains demo tracks featuring these presets. I've added other samples, drums and pads, to create a complete musical context. The EDGE sequences can be quite complex, producing various timbres at once, like bass and percussion. To help you distinguish, I've marked the EDGE and ADDITIONAL SOUNDS with different colors.
These ADDITIONAL SOUNDS are not included in the soundset.

CLICK FOR MORE »

Modal Electronics CraftSynth 1.0 Monophonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

CLICK FOR MORE »

Nostalgia Unwound / Reel to Reel + Beads / Ensemble Oscillator Rings Echoz Mob of Emus

video upload by Wac- Lounge

"Thank you for watching!
Here are the simple patch notes, a list of the gear, and more information.

https://wac-lounge.bandcamp.com

Instagram

/ wac_lounge

Reverse piano voice = Reel to reel(SONY TC-4860)
Echoed Piano voice = Reel to reel processed by Beads
Synth lead voice = Ensemble Oscillator modulation & sequenced by Flame C-3mk2
Sine wave lead voice = Mob of Emus CH1 sequenced by Mob of Emus CH3 triggered by Steppy slew limiter = MATHS
Sine wave voice loop = Mob of Emus CH2 processed by Disting(delay clocked by Steppy) sequenced by Mob of Emus CH4 triggered by Steppy
Echoed pitch bending voice = Rings processed by A-120VCF1 & Echoz sequenced by 2hp Arp triggered by Steppy modulation & enveloped by MATHS & Mob of Emus CH5
Master clock = Mob of Emus CH6 (divided by Steppy)

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The Roland System 100 Synthesizer - Semi Generative Patch #modularsynth #synth #ambient #drone #100

video upload by S R DHAIN

"Modular & Semi Modular synths can be set to self-generate all kinds of effects, noises, and music. It can be both challenging and fun to program the synths to do this.

Here , the 104 sequencer is running at a very low clock speed and has a sequence of notes that are consistently chiming in on the 101 keyboard, which itself has the VCF & the VCA being slowly modulated by it's LFO.

The 102 expander has the sample & hold switched on to both pulse out a note trigger & slowly modulate its the VCF. My occasional interjections are to change the key of the sequence on the 101 keyboard & the 102's drone note; the 102's pitch is affected by the CV input from the 101's keyboard."

Gimme Some (Kick) Drum by Blue Lantern Modules || Full Walkthrough and Sound Demo

video upload by Robots Are Red

"GSDrum, or Gimme Some Drum, or Gimme Some Kick Drum is a 10 hp drum synthesizer module. It really shines as a kick module, but can do other drum sounds such as toms or something out of the syncussion, or act as a bass synth tracking it 1v/oct. This is not a typical kick oscillator using the 'Twin T' approach, GSDrum uses a v/oct tracking triangle core VCO with an OTA based VCA. There is CV control for the trigger of course, along with v/oct tracking, Linear FM, and VCA accent inputs. The Timbre knob shapes the oscillator starting at a sine wave, to a triangle wave, all the way to an overdriven square wave. Influenced by the Korg ER-1 drum synthesizer. The accent input can simulate midi velocity or drive your sound even more. You can jump to any section of the video here: 00:00 Opening 01:03 Introduction 01:42 Walkthrough Begins 01:50 Pop 02:07 VCA Envelope 02:58 Pitch Envelope 04:05 Tune Knob 04:15 VCA Knob 05:07 Timbre Knob (Waveform morphing) 06:16 Accent Input 06:57 v/Oct Input 07:10 Linear FM Input 07:40 Feedback Patching 08:43 Kick and Drum Sounds (Minimal Talking) 10:11 v/Oct Bass Line Demo (Minimal Talking) 11:17 Accenting with Sequenced Gates (Minimal Talking) 14:25 Frequency Modulation with Sequenced Gates (Minimal Talking) Special thanks to Blue Lantern Modules for providing the modules for this video."

via Blue Lantern Reverb

"Part of the 'Gimme Some' series. Gimme Some Drum....

What does this module do?

This module is a complete mini synthesizer that specializes in making analog kick drum sounds.

This product does not use a "Twin T" approach to make it's drum kick sound. This is using an actual 1v/octave

triangle core vco, and ota based vca. The shaper circuit that converts a triangle wave into a sine wave was brought to the front panel. The shaper knob was calibrated to start its shaping at the beginning of a sine wave, and end with an overdriven square wave.

This parameter is called 'Timbre'.

This product can produce a wide variety of ultra generic analog kick drum sounds.

Influenced by the Korg ER-1 drum synthesiszer, but laid out in an analog fashion.

-toggle switches are connected to 'timing' capacitors. You can select decay legnths on the fly.

-Depth Knobs let you precisely dial in how much punch, and loudness you want.

-Accent input lets you simulate 'Midi' velocity but with a positive CV input signal. This makes the Amplifier go louder in volume.

This is basically a CV input for the VCA circuit.

-POP parameter creates a clicky sounding, short audible pulse.

All the internal circuitry was optimized for drum kick. You really can't goof up and not make a percussive sound.

All you need is a triggering signal.

Internally Pre-Patch Products: OTA Triangle Core VCO + Sine Wave Shaper + Assist Percussion Utility

Big time savings!"

Poly sequence without sequencer on KORG R3 synthesizer

video upload by Jake

"A song combining several sequences on a KORG R3 synthesizer without sequencer thanks to the Motion Sequencer

The R3 is a bi-timbral synthesizer.

Although it does not have a sequencer per se, it has the "motion sequence" function.

If motion sequencing allows you to automate a parameter over 16 steps, it can be dedicated to the pitch of the notes.

We thus have 2 sequences for the same patch, each controlling its own tone.

On timbre 1, in order to make the sequence more complex, I allocated each of the 2 filters to its own oscillator. Thus on timbre 1 the slow variations of LFO 1 control filter 1 in positive and 2 in negative.

LFO 2 is synchronized to the motion sequencer in the form of a sawtooth wave to simulate a filter envelope trigged to the note

On tone 2, LFO 1 in the form of a square wave at slow speed allows the sequence to be transposed to the seventh at 0.75 hZ.

LFO 2 has the same function as on timbre 1

Recorded in one take without any external effects"

Korg MS-50 Autoplay #1: part 5/5 | sequential patch #korgms50

video upload by Dr. Kunz

Korg MS-50 Autoplay

"Fifth and last part of a sequential patch with VCO and VCF cross-modulation, combined modulation voltages, rhythmic pulses and two independent audio outputs. Different level settings in the Adding Amplifier can produce a variety of patterns from the combination of two envelope curves and a pulse, displayed on the voltmeter. The remaining free modules can be integrated to further expand the patch complexity.
This video is a fraction of an hour long experiment around this patch, I've shortened and divided it in five parts to make it more accessible. The wiring is presented at the beginning of each video.
Thanks to @IppeiTambata for his inspirational looping machines.

Effects: Yamaha SPX-90II stereo echo, Korg SDD-3000 short modulated delay, some level and eq adjusting on the Mackie 1402.

Recorded with Tascam DR-60 MKII

00:00 start
00:07 movement #5
00:19 wiring list
01:48 pattern variation
02:56 pattern perturbation
04:10 pitch and pattern alteration
05:13 timbre dissolution
05:44 Pac-Man resurrection
06:05 final obsession"

All parts:

Korg MS-50 Autoplay #1: part 3/5 | sequential patch #korgms50

video upload by Dr. Kunz

"Third part of a sequential patch with VCO and VCF cross-modulation, combined modulation voltages, rhythmic pulses and two independent audio outputs. Different level settings in the Adding Amplifier can produce a variety of patterns from the combination of two envelope curves and a pulse, displayed on the voltmeter. The remaining free modules can be integrated to further expand the patch complexity.
This video is a fraction of an hour long experiment around this patch, I've shortened and divided it in five parts to make it more accessible. The wiring is presented at the beginning of each video.
Thanks to @IppeiTambata for his inspirational looping machines.

Effects: Yamaha SPX-90II stereo echo, Korg SDD-3000 short modulated delay, some level and eq adjusting on the Mackie 1402.

Recorded with Tascam DR-60 MKII

00:00 start
00:07 movement #3
00:17 wiring list
01:21 pattern change
02:33 pattern change
03:17 pitch scaling change
03:59 pattern change
04:40 hi-hat
05:24 pattern change
05:38 finale"

Natural Gate by Rabid Elephant | It's REALLY good. But why?

video upload by Cinematic Laboratory

"The NG is often considered as the best sounding LPG you can get - if your fortunate, lucky and patient. It's analog, but it doesn't use a natural vactrol decay because it can ring much longer thanks to the Decay slider. I guess the term 'natural' applies more to the physical properties of hitting something soft, hard, slow or fast, where the materials and pitch also matter. A classic LPG has a static hit, but DXG is advertised as dynamic. To get the most out of our not-so-natural LPG's, it's cool to demystify these physical properties and try to patch them up so we'll understand them better. They can make a lot of difference. So this is not going to be a 'look what I got' video because it doesn't help anybody. There's a big section about advanced envelope patching with Maths and Optomix to add physical properties like pitch dependent decay and strike intensity. But it's not easy, and it doesn't sound as natural as the NG.

When I was hooked on Optomix, I 'protected' myself from non-vactrol LPGs like the NG and the SSF SSG. I often said, if it doesn't have vactrols, it's not an LPG. I've been biased and prejudiced and it happens to all of us from time to time, considering the endless analog vs digital discussion. Technology serves a result, and when the result is excellent, it's great technology. I've been expecting wonders from the NG and in the confined realm of classic LPG's it really delivers. But I am not sure if it can compete with the fun that comes with a module like the SSG. The NG is one of the very best. But the best one is the one that helps you make the music you love most. Honestly, I think the SSG will serve more genres and styles.

The African track is composed and performed by me when I was still in the box and used NI Maschine a lot. It's named after the expansion pack 'Global Shake'."

Kaivo: Granulator Module Overview

video upload by Madrona Labs

"Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).

https://madronalabs.com/

Chapters:
00:00 Intro
00:24 Granulator Overview
02:53 Waveform Display Window
03:33 X & Y Sliders
04:59 Source Menu
05:16 Importing into Granulator
06:23 Pitch Control
07:03 Linear and Exponential Inputs
07:21: +/- Input
07:43 Patch Demonstration 1
09:21 Continuity Error Acknowledgment
09:31: Trigger Input
10:14 Follow Button
11:04 Overlap Control
11:49 Sync Button
13:01 Wrap Button
14:14 Patch Demonstration 2
15:40 Noise Button
16:17 Pan Control
16:40 Patch Demonstration 3
16:51 Outro"

First Jams with the Solar 42

video uploads by Uncle Tony

"Second shot at making something with the Solar 42. This thing has incredible range. Wild noise and beautiful sounds. Here's one on the beautiful end."

1. Swell - Solar 42

Love that there's a 5-step sequence on this. Love anything in 5. I found this neat quirk of the Solar 42 where if you touch the nut that secures some of the patch points with a cable that's already plugged in, it causes the pitch on all the oscillators to detune together in this really nice way. Super cool.

2. Solar 42 - Grasslands

Here's one that's more laid back, peaceful and expansive. Love the white noise generators on this thing. The loop and hold functionality on voices 4 and 5 are really handy, too. I used those to make the repeating siren noises about halfway through.

3. Scamper - Solar 42

Here's something a little hectic and dissonant. Still learning to mix and balance the all the voices together.

4. Solar 42 Improv In G

Second shot at making something with the Solar 42. This thing has incredible range. Wild noise and beautiful sounds. Here's one on the beautiful end.

5. First Jam with the Solar 42

Getting to know the Solar 42 from @ELTAmusic. This thing is amazing. Looking forward to getting a better handle on it.

Soft pop2 X Plinky patch from scratch #3

video upload by Meska

"Quick patch from scratch with Plinky and Softpop2 , its my workflow for finding melodys ect This time Softpop2 is sending pitch information to Plinky

Thank you for watching.
My name is Meska of the statik collective . I've been making mostly "dark and expérimental" music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)"

Boolean Logic Latched - Patch 02

video upload by

Patch 01 here

"Using only a single clock input Boolean Logic Latched by Magnetic Freak is able to create a plethora of rhythmic patterns by combining divisions of that clock through logic gates. In this instance the patterns drive a kick, snare, 3 static pitch VCOs, and a bass boost. An entire arrangement of elements driven by complimentary patterns derived from a simple clock.

Clock: Buchla 246 Sequential Voltage Source
Kick: Bugbrand DRM2 Analogue Drum Voice
Snare: 1979 Dual Algorithmic Oscillator (DAO)
Synth Voices 1-3: Northern Light Modular 8-bit Synth Voice (h8B)
(with Buchla 291 VCF layered with Voice 1)
Bass: Bugbrand DRM2 amp modulation

Recorded as 2 tracks into Ableton Live. Compression, reverb, and panning added in post."

Yamaha SEQTRAK FM sound design tutorial

video upload by Floyd Steinberg

"The #yamaha #SEQTRAK (https://thmn.to/thoprod/584963?offid=...) has an FM #synthesizer built into it. Here's how to design sounds on that. Table of contents:

00:00 hello
00:32 the editor app
01:04 choosing a preset sound
01:24 choosing an algorithm
01:49 operator frequencies
02:25 levels
03:01 feedback
04:05 tuning
04:39 key scaling ratio
06:42 envelopes
09:16 LFO: pitch modulation
10:18 amplitude modulation
10:40 pitch envelope
10:54 effects
11:29 save the patch
11:39 a short improvisation
12:45 conclusion"

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"